By Richard Harrington, James Ball, Robbie Carman, Matt Gottshalk
Book and accompanying DVD with over six hours of video training—all geared to coach you every little thing approximately taking pictures video together with your DSLR
With the coming of high-definition video-enabled DSLR cameras, photographers are confronted with a chance for creativity and a aggressive facet of their box in contrast to something they’ve skilled prior to. upload to that the increasing calls for from a video-hungry viewers and it’s now not a question of while you are going so as to add video for your repertoire of talents, it’s when.
Here to steer you in a radical exploration of the video-making procedure — from preproduction to publish — and to ease your transition from nonetheless to movement are 4 veterans who communicate the language of either images and video fluently. With their transparent, instructive strategy, they quick get you in control on every little thing from selecting your equipment, to correctly lighting fixtures for movement, to utilizing professional-level audio, colour correction, and enhancing strategies, to media administration and outputting, and lots more and plenty extra. listed below are quite a few highlights from this richly illustrated, thoroughly interactive publication and DVD:
* Explores the complete spectrum of video for DSLR digital camera proprietors, with tips about apparatus, making plans, lighting fixtures, lenses, audio, enhancing, colour correcting, exporting, media administration, and more.
* Covers a wide selection of capturing types, together with indoor, open air, studio, portrait, occasion, and to be had light.
* Addresses technical demanding situations linked to DSLR video, equivalent to digital camera circulation, a number of digicam insurance, low-light videography, and synchronized sound.
* Explores extra inventive options reminiscent of cease movement and timelapse images in depth.
* encompasses a real-world instance of a tune video and promo package deal through the e-book to illustrate techniques in motion, with extra profiles of images specialists in nature, activities, advertisement, and weddings and events.
The accompanying DVD includes over 6 hours of video education that delves deeper into each one subject, in addition to high-definition photos, hands-on project records, and templates to scan with and stick to along.
Share your paintings and converse with different readers at www.facebook.com/dslrvideo.
Preview of From Still to Motion: A photographer's guide to creating video with your DSLR (Voices That Matter) PDF
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Extra info for From Still to Motion: A photographer's guide to creating video with your DSLR (Voices That Matter)
Those rigs quite often require the shooter to maintain one hand on a grip and the opposite at the lens controls. a few rigs have an extra rod help on the waist or really droop the digital camera from a boomtype constitution. the foremost beneﬁt with those rigs is they unlock not less than one hand to do different issues instead of simply helping the burden of the digital camera. In a few cases you could want palms to function the iris and zoom, or even you need to pull concentration in the course of a shot. you furthermore mght may have a hand to brace or help your self for security. It’s actually convenient to have your arms unfastened. į Shooting rigs are a truly own selection. We hugely suggest checking out diversified rigs to ﬁnd one that’s cozy in your taking pictures kind. hand-held RIG brands: plenty of digicam rigs are out there. commence your buying on the following areas: ❯ Cavision (www. cavision. com) ❯ Cinevate (www. cinevate. com) ❯ iDC images (www. idcphotography. com) ❯ Redrock Micro (www. redrockmicro. com) ❯ Switronix (www. switronix. com) ❯ Zacuto (www. zacuto. com) bankruptcy 12 : GREAT SUPPORT : PUTTING THE digital camera INTO movement 187 Stabilizers the flexibility in bodily wearing the digital camera to get insurance is difficult to overcome. yet even if utilizing a hand-held rig, quite a lot of human circulation within the picture continues to be seen. As you stroll, the digital camera will bob up and down (unless you learn how to levitate). during this part we talk about workarounds within the type of stabilizers to lessen undesirable digicam stream. Smoothing movement how are you going to guard mobility, but eliminate much more movement inﬂuenced via the human physique? the answer's to isolate the digicam from the body’s move, which are completed by way of mounting the digicam to a stabilizing rig. This gadget basically distributes the mass of the digicam in the sort of method that it lets you truly function the digital camera at its middle of gravity. This vastly minimizes the shakiness of the picture even if you contact the stabilizer. To extra isolate the bumps within the floor and operator unsteadiness, the complete rig could be fastened on a three-axis gimbal to stability the digital camera rig. as soon as separated from operator inﬂuence, the rig will ﬂoat gracefully all through your stream, simulating extra heavily the belief of the human eye. picking out a Stabilizer digicam stabilizing rigs range in complexity and function. all of them in general have the sled and the gimbal method. you could classify rigs into teams— hand held and body-mounted systems—based on how the rig isolates the body’s pursuits. į The Steadicam Pilot in motion. The picture at the backside is of a vest- and arm-supported version designed to deal with very light-weight cameras. while IS A STEADICAM now not A STEADICAM You’ll usually listen digital camera stabilizers often called “steadicams. ” in reality, a Steadicam is a model identify of the preferred (and unique) digital camera stabilizer. It’s just like how parents discuss with Kleenex or Xerox rather than announcing facial tissue and photocopy. 188 half III : GEARING UP FOR movement AND SOUND construct your individual STABILIZER?