George Hurrell's Hollywood: Glamour Portraits 1925-1992

By Mark A. Vieira

George Hurrell (1904–1992) was once the writer of the Hollywood glamour portrait, the maverick artist who captured motion picture stars of the main exalted period in Hollywood historical past with daring distinction and seductive poses. This lavishly illustrated ebook spans Hurrell’s whole occupation, from his beginnings as a society photographer to his finale because the big name photographer who was once himself a celeb, and a dwelling legend.

From 1929 to 1944 Hurrell used to be the “Rembrandt of Hollywood,” growing photos of Marlene Dietrich, Norma Shearer, Bette Davis, Carole Lombard, and Joan Crawford that have been a mix of the airy and the erotic. His photographs of Jane Russell sulking in a haystack made the unknown woman a star—without a movie credits to her identify. He immortalized prime men stars of the day from the Barrymores to Clark Gable and Gary Cooper. Latter photograph shoots magnified the glamour of the likes of Warren Beatty and Sharon Stone.

Through newly got pictures and in-depth learn, photographer and historian Mark A. Vieira, writer of Hurrell’s Hollywood Portraits, deals not just a wealth of recent photographs yet a compelling sequel to the tale awarded in his prior publication on Hurrell. Hurrell was once himself a star—rich, well-known, winning. Then, on the top of his occupation, he suffered a vertiginous fall from grace. George Hurrell’s Hollywood recounts, for the 1st time wherever, Hurrell’s upward thrust from the ashes—how movie-still creditors and paintings buyers pulled the aged artist right into a nefarious global of robbery and fraud; how his undiminished powers gave him a moment occupation; and the way his mercurial nature approximately destroyed it.

The images that encourage this story are luminous, robust, and undying. This e-book showcases greater than 400, so much of that have no longer been released due to the fact that they have been created. George Hurrell’s Hollywood is the last word paintings in this trailblazing artist, a wonderful montage of truth and anecdote, mild and shadow.

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Yet that i wouldn't do. i used to be awestruck, and that i nonetheless was hoping to paintings with him. Hurrell made this portrait of Jascha Heifetz at Warner Bros in 1939. It used to be integrated in his portfolio sequence. Hurrell sailed into 1981 with a flush that rivaled his Thirties good fortune. Revved as much as an unnatural pace, the veteran photographer went to Paris and worked on a complete factor for French fashion, got here again and shot album covers for Melissa Manchester and Chevy Chase, and glamour pics for Frank Perry’s ill-fated test at Crawford-bashing, Mommie Dearest. In a short lived rapprochement (effected via a sign up the mail) Hurrell wrote Kobal. “I am again in harness,” wrote Hurrell, “shooting substantial movie back. every thing in Paris was once 8x10, thirty pages performed in a week’s time, operating evening and day. i need to be more healthy than my medical professionals declare simply because I got here via all of it with none difficulties in any respect, altho [sic] the gear is a bit heavy for the previous horse. ” His profits helped Marysa Maslansky go away Sygma and open her personal sundown Strip picture enterprise, Visages. In 1981 Hurrell’s face grinned from the pages of Petersen’s PhotoGraphic, la, Us, the l. a. occasions, and lifestyles. Allan wealthy started hawking Portfolio II. Unbeknownst to him, Hurrell had created this one fullyyt from killed poses, although he may have gotten retouched studio negs of his paintings from Kobal, me, or a dozen different assets. in the meantime, wealthy approached the Academy of movie Arts and Sciences, offering that Hurrell accept a distinct Academy Award. He was once grew to become down. regardless of; the Library of Congress quickly further a Hurrell portfolio to its everlasting selection of images. there has been a flurry of exposure. Hurrell had crossed a brand new threshold. the fellow who had spent his lifestyles growing celebrities was once himself a star, insulated from the vicissitudes that had spoiled his heart age. Had he outgrown his impatience and restlessness? “Familiarity breeds contempt’ has constantly been certainly one of my puppy theories,” he advised Fahey. wealthy smelled whatever brewing. “I’ve handled loads of nice artists,” he stated. “They all have hassle with advertisement humans. They’re afraid of being taken good thing about. ” Hurrell had no cause to fret approximately that. He used to be on most sensible of the Hollywood heap, well-known and unassailable. in basic terms his personal demons may possibly unseat him. whilst a forgotten print lifted him to the summit of the artwork global, they nearly did. on the backside of the Hollywood heap, on the overlooked intersection of Las Palmas and Yucca, invoice Chapman was once doing enterprise as Chapman’s photograph Palace, a modest movie-still emporium. At age fifty-five, he used to be nonetheless ferreting out Hurrells. The gallery insanity spawned by way of wealthy and Kobal affected him, because it affected all of the creditors. It made his assortment extra priceless; it made including to it costlier. just like the poster creditors, he was once extra apt to exchange than to shop for. now and again he discovered a bargain—a Hurrell portrait of an vague starlet. extra frequently, notwithstanding, he used to be importuned through a few hard-up collector desirous to promote him prints at inflated costs.

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