Performing Dark Arts: A Cultural History of Conjuring (Intellect Books - Theatre and Consciousness)

By Michael Mangan

From David Blaine’s death-defying feats of will to Harry Potter’s boarding-school victories opposed to evil forces, the darker aspect of magic and its functionality essentially moves a cultural nerve. The conjuror’s act of bringing the most unlikely into being and summoning either the ugly and outstanding with a unexpected gesture demanding situations spectators’ assumptions of truth and myth. Performing darkish Arts explores the anomaly of the magican and the wider cultural implications of magic’s attack on human perception.
Michael Mangan illuminates the heritage of the conjuring arts and exams the limits of theatrical scholarship by means of studying magic acts along extra traditional dramatic kinds. This bracingly unique quantity discusses the performances of person magicians and public reception in their acts and locates the mysterious cultural importance of the darkish arts and those that perform them. Shining a gentle at the gray zone among performing and being, notion and fact, Performing darkish Arts is a ebook that would open your brain to the chances of magic.
 
“If you must find out about the single trick that every one sturdy conjurers have up their sleeve, the oldest within the book—here it really is, rehearsed around the centuries. it's to ensure that whichever cup the viewers seems to be under—mere chicanery or genuine sorcery—the ball isn't there.”—Mark Stafford, Times (UK)
 
“Conjurors as performers have consistently had a different area of interest in exploiting the wonderful or the uncanny and buying and selling upon our wish or myth that a few genuine magic can be at paintings. Mangan’s pleasant booklet exhibits that they're going to continually manage to do so.”—Rob Hardy, Commercial Dispatch
 
“This is an erudite ebook which wears its scholarship evenly and is a excitement to learn. advanced theoretical frameworks are brought in ways in which will lead them to obtainable to the final reader, and the book's argument opens up new implications and functions for the research of magic as functionality. . . . i used to be certainly shocked and overjoyed with a lot of Mangan's observations.”—Roberta Mock, collage of Plymouth, United Kingdom
 
 
 
 
 
 
 
 

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Houdini used to be, from his first degree appearances, to revivify it and its meanings. on the age of 9 he seemed ahead of an viewers as a trapeze artist and contortionist, ‘Ehrich, Prince of the Air’. The younger boy unearths his princely identification within the degree identify and makes cross-linguistic puns at the sounds of his personal: Ehrich/air. in the relations the pun used to be much more 143 Chapter 08. qxd 4/2/07 6:35 PM web page a hundred and forty four appearing darkish ARTS obvious: Ehrich’s puppy identify was once ‘Ehrie’, which later turned the ‘Harry’ of his public character. whilst Ehrich Weiss grew as much as develop into Harry Houdini, the contortionist turned the escapologist, twisting his approach out of his bonds and the Prince of the Air metamorphosed into the ‘Handcuff King’(and occasionally the fewer catchy ‘Monarch of Leg Shackles’). but Houdini retained a fascination – even an obsession – with the air. even if suspended excessive above the town streets, suffering to flee the straitjacket; or studying to fly and environment himself the problem of changing into the 1st guy to fly an aeroplane in Australia;421 or doing his personal aerial stunts in his videos, the hint of Ehrich, Prince of the Air is still. different parts from the archetypal narrative locate their means into Houdini’s later profession. First there's the ‘challenge to dule’ (sic) that's the preliminary clash of the drama; this turns into a repeated subject matter of Houdini’s level occupation, which was once successfully according to a chain of demanding situations. Secondly, in fact, the fable father’s nice feat was once not just to uphold his honour, but additionally to flee afterwards. It used to be the get away which grew to become the essence of Houdini’s occupation: an get away which repeated that of the myth father, yet which additionally – within the culture of significant immigrant narratives – in genuine lifestyles supplied the cloth skill to flee from the poverty to which the father’s real failure had led them. Houdini escaped not just from ties, but additionally from tie-cutting at the workbench. Dramatizing deliverance: Freudian narratives Ruth Brandon insists – possibly as a riposte to a couple oversimplified psychoanalytical readings – that Houdini was once ‘pre-Freudian’,422 yet in a literal feel this isn't precisely the case. to the contrary, the 2 males have been contemporaries, and the increase to repute of Houdini coincides well with that of that different Austro-Hungarian Jewish genius: within the first 20 years of the 20th century the imagery and the mythology of either males forged a spell over the western mind's eye. in addition, it really is challenging to disregard the Oedipal resonances in Houdini’s lifestyles. His father’s failure as a rabbi intended a lack of prestige and authority either in society and in the relatives. At an early age, Ehrich chanced on himself, if now not really changing his father because the kin breadwinner and protector, at the least of near-equal prestige with him, as they labored facet via part within the necktie manufacturing facility. For the remainder of his lifestyles he took his position as his mother’s protector with significant seriousness – certainly his obsessively shut dating together with his mom as much as the time of her dying is among the so much impressive proof approximately Ehrich’s deepest existence.

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