Photoshop Elements 10: The Missing Manual

By Barbara Brundage

Elements 10 deals a lot of Photoshop's energy with out the large price ticket. it is a useful gizmo for many image-editing buffs—whether you’re a photographer, scrapbooker, or aspiring photo artist. yet components nonetheless does not include an invaluable guide. This bestselling e-book is helping you get the main out of this system, from the fundamentals to complicated counsel for either home windows and Mac users.

The very important belongings you have to know:

  • Quickly study your means around. customise components to fit your operating style.
  • Get to paintings correct away. Import, manage, and make speedy photo fixes with ease.
  • Retouch any image. easy methods to fix and restoration outdated and broken photos.
  • Add pizzazz. supply photos extra zip with dozens of filters, layer kinds, and unique effects.
  • Design with words. Make textual content movement alongside a curved course or round an item or shape.
  • Find your artistic flair. Create scrapbooks, greeting playing cards, picture books, and more.
  • Try out complex techniques. paintings with layers, combination modes, and different tools.

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228 228 229 231 233 237 239 241 244 245 247 248 251 252 253 254 256 257 259 260 261 263 265 268 bankruptcy eight: parts for electronic Photographers. . . . . . . . . . . . . 269 The uncooked Converter. . . . . . . . . . . . . . . . utilizing the uncooked Converter.. . . . . . . . . . Adjusting White stability. . . . . . . . . . . Adjusting Tone. . . . . . . . . . . . . . . . Adjusting Vibrance and Saturation.. . . . . Adjusting Sharpness and decreasing Noise. . polishing off. . . . . . . . . . . . . . . . . changing to DNG. . . . . . . . . . . . . . mixing Exposures. . . . . . . . . . . . . . . . computerized Merges. . . . . . . . . . . . . . guide Merges.. . . . . . . . . . . . . . . photograph filter out. . . . . . . . . . . . . . . . . . . . vi desk of contents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 270 271 276 278 281 283 287 288 290 291 293 297 Processing a number of documents. . . . . . . . . deciding upon records. . . . . . . . . . . . Renaming records. . . . . . . . . . . . altering photograph dimension and dossier sort. employing fast repair instructions. . . Attaching Labels. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 298 three hundred 301 302 303 304 bankruptcy nine: Retouching: Fine-Tuning Images.. . . . . . . . . . . . . . . 307 solving Blemishes. . . . . . . . . . . . . . . . . . The Spot therapeutic Brush: solving Small Areas.. The therapeutic Brush: solving better parts. . . . The Clone Stamp. . . . . . . . . . . . . . . . employing styles. . . . . . . . . . . . . . . . . . The therapeutic Brush. . . . . . . . . . . . . . . The development Stamp. . . . . . . . . . . . . . . Recomposing photographs. . . . . . . . . . . . . . . . colour Curves: improving Tone and distinction. . . . Making shades extra shiny. . . . . . . . . . . . The Hue/Saturation conversation field. . . . . . . . Adjusting Saturation with the Sponge instrument. . altering an Object’s Color.. . . . . . . . . . . . utilizing an Adjustment Layer. . . . . . . . . . exchanging particular Colors.. . . . . . . . . . . the colour substitute software. . . . . . . . . . lighting tricks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 307 309 312 315 320 321 322 323 327 331 331 334 335 336 337 339 341 bankruptcy 10: elimination and including colour.

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