By Viola Brisolin
Roland Barthes and Pier Paolo Pasolini have been of the main eclectic cultural personalities of the earlier century, as elusive as they have been influential. regardless of the evident variations among them, additionally they shared a couple of preoccupations, obsessions and artistic ways. sure topics recur insistently within the works of either males: the pervasiveness of strength and the violence inherent within the modernising approach; the opportunity of freedom and subjective autonomy; and the position of artistic practices in a society configured as a barren region of alienation. regardless of this universal floor, no systematic try at interpreting the 2 authors jointly has been made prior to now. This booklet explores this uncharted territory by means of evaluating those highbrow figures, focusing specifically at the similarities and effective tensions that emerge of their past due works. Psychoanalysis performs a key function within the articulation of this comparability.
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Extra info for Power and Subjectivity in the Late Work of Roland Barthes and Pier Paolo Pasolini (European Connections)
124 bankruptcy 2 for supremacy, however the dif ference of coexisting, monadic singularities, each one incommensurable to the others, every one unrelated to the others, and but all united by means of a typical framework, sharing a standard textual house. ninety three The singularity actualised within the come upon with the textual content is a courting of the self with the self, of the reader with herself. The event of writing as productiveness is a second of af firmation, a second of ‘c’est cela pour moi! ’. ninety four this idea of textuality as theatrical rendering of languages, as mise en scène, and this idea of the reader’s reaction to the textual content as an act of af firmation are dif ferent not just from the staging of ‘la scène ménagère’, akin to the only exemplified in Werther, but in addition from Sade’s scenes. The textual content conceived as an area of mise en scène produces a suspension of the temporality of language: it intimates the frozen, perennial current of undecidability, suspended upon the vicissitudes of conf licting languages. All languages are theatralised, offered as fictions, therefore fighting even the transitority supremacy of 1 language over the others. In getting into this measurement, the reader af firms his or her precise fiction, his or her hope, with out impinging upon the others: indif ferent to the others. An absolute current is af firmed in each act of construction. The suspension of supremacy attained in textuality, the prestige of undecidability within which textualised languages without end hover, is and isn't interrupted by means of the reader’s ‘c’est cela pour moi! ’. The reader quickly does repair a subjective which means, yet with no claiming any type of supremacy, merely when it comes to herself, and with out af fecting the prestige of textuality. to the contrary, the Sadean ninety three As in Barthes’s utopian view of the monastic neighborhood of Mount Athos. ninety four Le Plaisir du texte, p. 226. Barthes urges us to appreciate this idea neither within the feel of a ‘traditional’, most likely Cartesian subjectivity, nor in an Existentialist experience. ‘Ce “pour moi” n’est ni subjectif, ni existentiel, mais Nietzschéen. ’ the instant of popularity and willed assumption – ‘this is it for me! ’ – which i've got formerly linked to a psychoanalytic account of the method of subjectification, can also be elucidated, as Barthes indicates, through Nietzsche, specifically through relating his dichotomies of lively as opposed to reactive forces, of life-af firming as opposed to life-disparaging forces. Deleuze, whose account of Nietzsche’s philosophy Barthes knew good, identifies and probes the depths of those recommendations in his Nietzsche et l. a. philosophie (Paris: Presses Universitaires de France, 1962). See additionally Staf ford, Roland Barthes. Phenomenon and fable. pp. 182, 183 and Douglas Smith, Transvaluations. Nietzsche in France 1872–1972 (Oxford: Clarendon Press, 1996). This suggestion of af firmation additionally inaugurates a sequence of difficulties regarding narcissism. The concept of a monadic subjectivity forming within the assumption of textual pleasures is advanced and elaborated in dif ferent areas within the following chapters.